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Back in the 1950s, electronic music was just emerging from the musique concrete movement, with their massively spliced magnetic tape assemblies and shellac records. In those days, lone composers might assemble a few military-surplus audio oscillators and filters with a tape recorder, and cobble together odd sounds by hand; the modular synthesizers made famous by Robert Moog in the late 1960's had not yet been conceived of. Some amazing works were created during this period, despite the technical ...

Some of us remember the light shows pioneered back in the late 50s, that were especially popular additions to rock shows in the latter 60s. Though a number of techniques were used, from film strips to strobes, the most popular was perhaps the 'wet show', in which drops of colored water were added to dishes of oil (or vice-versa), and manipulated in various ways. The results were projected onto a screen, and no doubt contributed to the altered states of consciousness experienced by many concert-goers ...

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Magick is the art and science of mastering the mind. There is no religion in magick, though there is heavy use of symbolism (often confused with religion or the occult). The symbolism is useful, it helps direct the mind and associate ideas. The key is not to get caught up in the symbolism and mistake it for reality.


The infamous Aleister Crowley was the first person to coin the term "Magick" and his definition is: "Magick is the Science of causing Change to occur ...

Hi everyone;

Andy Broughton here, MP Forums administrator. Over the past month or so, there have been some big changes to the MindPlaceSupport page and the forum. I plan to use this blog to discuss updates and let you all know about changes and new stuff that you can do on the site.
Any issues or questions at all regarding the site, please post in the Site Support forum. Also, any feedback, changes, suggestions, let me know in that same forum.

REGISTRATION AND ...

One of the most compelling aspects of a light and sound session is the point at which new visual patterns seem to leap into existence, then dance through a set of transformations which never seem quite the same each time you experience that session. Rather fractal-like. I've been working on some sessions recently which employ "visual beats", which means that the frequency of one color channel moves through a range slightly offset the other (fixed frequency) channel. Here's a simple ...

All issues of the AVS Journal are now available for free online at this link:
http://www.mindmachines.com/LightSou...DOWNLOADS.html

This is an excellent resource for those interested in AVS technology.

(Link is no longer active as a download site, but there are articles there if you search)